Asha Holmes // 


The following works glimpse into the ways I am thinking about transience and impermanence as it pertains to the relics of my home, my presence and the presence of Blackness. I have begun personal and historical discoveries about the preservation of objects and ephemera in my family and in my culture. Through digital file manipulation and the Van Dyke Brown process, I am commemorating the generations of women in my lineage as an anchor between the past, present, and future. I am creating a network between memory and rememory. Asè.


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